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Pawn To King's End
On the edge of empire, survival is a game of strategy-and the price of freedom is often paid in secrets.
In 1755, the British Crown shatters the lives of the Acadian people, forcing families from their lands in a brutal campaign of expulsion. For Clément Gosselin, the forests of Nova Scotia become both refuge and battleground as he fights to protect his family and forge alliances with the Mi'kmaq, the region's Indigenous defenders. But as war spreads and whispers of revolution reach across the Atlantic, Clément's path takes a darker turn.
Drawn into a shadowy world of espionage, Clément must navigate a maze of shifting allegiances and treacherous choices. At the center of it all stands a figure known only as Mr. Smith-an unsettling presence who offers aid but demands something in return. The deeper Clément ventures into this dangerous game, the more he realizes that freedom isn't won with muskets alone. Sometimes, survival means making a deal with forces you don't fully understand.
From the misty shores of Acadia to the rebel strongholds of New England, Pawn to King's End is a sweeping tale of betrayal, resilience, and cross-cultural bonds that endure through the storm of history. In a world where kings move freely and pawns are sacrificed, Clément Gosselin must ask himself:
How far would you go to change your fate-and at what cost?
Perfect for fans of historical intrigue, espionage, and stories of quiet defiance against impossible odds.
FALSE FOREWORD
A Strategically Declassified Manuscript of Narrative Containment Protocol FF-AIW-42.5-DG-LS
What if the most dangerous weapon of the 21st century is a story designed to look like fiction? This isn't a leak. It's a deliberate rupture-forced into public release by triangulating open-source disclosures, operational metadata, and symbolic drift signals that intelligence agencies can no longer plausibly deny. False Foreword is not a conventional book. It's a cognitive structure-part field manual, part narrative virus. Framed as literature. Built
like a weapon.
Inside: recursive syntax traps, symbolic misalignments, and embedded influence payloads tested in unstable cognitive economies—where belief is more dangerous than bullets. Every line is structured, every rhythm intentional. You won't read a story. You'll enter a system. And now that it's in your hands, you're part of the experiment.